This essay argues that much of Psycho, including some of its most memorable and disturbing elements, is taken from Orson Welles' Touch of Evil.
Long essay on Psycho, Alfred Hitchcock's seminal Oedipal nightmare.
Discusses the way Hitchcock used sound and music in the film.
Discusses the way Hitchcock filmed the parlor scene.
A salute to the movie on its 36th anniversary by Brian W. Fairbanks, with pictures.